On Stage: GIRL FROM THE NORTH COUNTRY
GIRL FROM THE NORTH COUNTRY
After critically-acclaimed, smash-hit runs at the Public Theater and the West End, Girl From The North Country brings its rousing spirit to Broadway.
1934. A time-weathered guesthouse in the heartland of America. Only a song can shake off the dust for one group of wayward souls—and old dreams may hold the promise of new beginnings. As they pass in and out of each other’s lives, their stories awaken with passion, fury and extraordinary beauty.
Reimagining the music of Bob Dylan as roof-raising ensemble pieces and soul-stirring solos, celebrated playwright Conor McPherson (The Weir, The Seafarer) writes and directs this heartbreaking and universal story about family and love. Girl From The North Country is a breathtaking new show that Ben Brantley of The New York Times calls “a ravishing production. You may find yourself thinking that this is as close as mortals come to heaven on Earth.”
Girl From The North Country Show Tickets | Girl From The North Country Show Schedule
David Belasco opened the Stuyvesant in October 1907, having already bequeathed his name on his 42nd St playhouse, now the New Victory. When he relinquished the 42nd St theatre in 1910, he immediately renamed the Stuyvesant as the Belasco. He provided himself with a duplex apartment above the theatre that had the décor of a Gothic church, and housed much of his theatrical memorabilia. Following his death, the theatre was rumored to be haunted by his ghost, until it was banished by the risqué production, Oh Calcutta!. The theatre came under Shubert ownership in 1948.
Belasco conceived the auditorium of the Belasco Theatre as a living room. He was a proponent of the “Little Theater” movement, which held that the dramatic experience depended partly on the proximity of the audience to the actors, and the shallow depth of the Belasco auditorium accomplishes just that. George Keister was commissioned to design the theatre, with Everett Shinn producing murals (18 of them) and other interior décor. The playhouse is Keister’s earliest surviving theatre; he later designed 12 others, including the Apollo in Harlem. His choice of the neo-Georgian style, often used for residences, complemented Belasco’s desire for theatrical intimacy. The theatre also boasted a state-of-the-art lighting board capable of producing magical lighting effects. With its freight elevator connecting the basement shops with the stage, it set the technological standard for theatre design. In 2010, the historic Belasco was restored to its former grandeur.
Details on the Belasco Theatre's Accessibility
Access Into Theatre: Theatre is not completely wheelchair accessible. There are 2 steps to box office/lobby. The side entrance has no steps. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance.
Shubert Audience Services
The Belasco Theatre provides accommodations for patrons who are blind, deaf, partially sighted, and/or have hearing loss. The theatre provides infrared assistive listening devices for every performance at the theatre. In addition, beginning four weeks after a show’s official opening night performance, hand-held audio description devices and hand-held captioning devices are available, and there is unlimited access to downloadable audio description and/or captioning for personal mobile devices free of charge. (Hand-held devices are limited, although additional devices can be obtained with at least twenty-four hours’ notice.) If you have questions, contact Shubert Audience Services at 212-944-3700 or firstname.lastname@example.org. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with any of our devices, software, or technology.
Accessibility by Seating Section
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.
Mezzanine Location: Located on 2nd level, up 1 flight of stairs. Once on the Mezzanine level, there are approximately 2 steps up/down per row. Entrance to Mezzanine is behind row H.
Balcony Location: No elevator, stairs only. Once on the Balcony level, there are approximately 2 steps up/down per row. The entrance to the Balcony is behind row F.
Handrails: Available at the end of every stepped seat row in the Mezzanine and Balcony.
Wheelchair | Companion Seat Locations:
Orchestra: J23 | J17 - 21; J24 | J18 - 22; L102 | L103 - 105; L25 | L19 - 23; L26 | L20 -24; O24 | O26, N22 - 24; P10 | P8, O8 - 10; P23 | P25, O21 - 23
Aisle Seat with Folding Armrest | Companion Locations:
Orchestra: H101 | H102; H113 | H112; L1 | L3; M2 | M4; P101 | P102; P114 | P113
Located in lobby. Accessible at 54".
Wheelchair accessible restroom available.
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities. Children under the age of four years will not be admitted. No outside food or beverage permitted, unless medically necessary. No weapons permitted on the premises.